Senin, 21 Juli 2014

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My Friend Dahmer, by Derf Backderf

NATIONAL BESTSELLER
2013 ALA/YALSA Alex Award
2014 Revelation Award at Angoul�me
2015 ALA/YALSA Alex Award (Excellence in Narrative Nonfiction)

You only think you know this story. In 1991, Jeffrey Dahmer—the most notorious serial killer since Jack the Ripper—seared himself into the American consciousness. To the public, Dahmer was a monster who committed unthinkable atrocities. To Derf Backderf, "Jeff" was a much more complex figure: a high school friend with whom he had shared classrooms, hallways, and car rides. In My Friend Dahmer, a haunting and original graphic novel, writer-artist Backderf creates a surprisingly sympathetic portrait of a disturbed young man struggling against the morbid urges emanating from the deep recesses of his psyche—a shy kid, a teenage alcoholic, and a goofball who never quite fit in with his classmates. With profound insight, what emerges is a Jeffrey Dahmer that few ever really knew, and one readers will never forget.

Also available by Derf Backderf, Trashed.

Find teaching guides for My Friend Dahmer and other titles at abramsbooks.com/resources.

Coming in 2017: My Friend Dahmer will become a major motion picture from director Marc Meyers.


Praise for My Friend Dahmer:

"The tone is sympathetic and enraged (‘Where were the damn adults?’), while not excusing or making the story unduly fascinating. Backderf’s writing is impeccably honest in not exculpating his own misdeeds . . . and quietly horrifying. A small, dark classic." —Publishers Weekly (starred review)?

"One of the best graphic novels I've read this year." -- USA Today's PopCandy

"One of the most thought-provoking comics released in a long time." -- Slate.com?

"Carefully researched and sourced with ample back matter, Backderf’s tragic chronicle of what shouldn’t have been is a real butt-kicker for educators and youth counselors as well as peers of other potential Dahmers. Highly recommended for professionals as well as true crime readers." —Library Journal

"This isnt a cautionary tale. Its insight sharedinsight arriving too late to save Dahmers victims, let alone Jeff himself, but perhaps soon enough to remind both teens and their caretakers that questioning peculiar behavior might be a better tack than ignoring or exploiting it." -- School Library Journal?

"Fortunately, cartoonist Derf Backderf isn't one to avoid the troubling, even terrifying, truths that lurk in the dark recesses of that notorious serial killer's early lifeand modern American life itself." -- Foreword Reviews

"A powerful, unsettling use of the graphic medium to share a profoundly disturbing story. . . . An exemplary demonstration of the transformative possibilities of graphic narrative." —Kirkus Reviews (starred review)

"Masterful. . . a rich tale full of complexity and sensitivity . . . There's something about Dahmer's life and crimes that seems almost crafted for treatment in the murky world of comix. Yet it's empathy and nuance, not gore, that put My Friend Dahmer alongside Alison Bechdel's Fun Home and David Small's Stitches in the annals of illustrated literature." —Cleveland Plain Dealer

"A new classic of the graphic novel genre. . . . A moving book that qualifies as one of the great graphic novels, a work of art." —Creative Loafing

"A well-told, powerful story. Backderf is quite skilled in using comics to tell this tale of a truly weird and sinister 1970s adolescent world."?—R. Crumb?

"Anyone who opens My Friend Dahmer to satisfy a morbid curiosity, and likewise anyone who expects to find no more than a cynical publishing venture here, is bound for disappointment. It is a horrifying read, yes, not so much for what it reveals about the sad early (and inevitably terrible) life of Jeffrey Dahmer, but because of what it reveals about the bland emotional landscape of Middle America, in this vision a petri dish for psychoses in many degrees and forms.?Backderf’s odd stylization, with figures that look like organic robots, is a perfect vehicle for this conception. His graphic approach is grotesque, droll, and it rags on reality as masses of kids knew and still know it.?Lots of books exist about the agonies and cruelty of the adolescent high school experience, but few so compellingly bring us straight into that soulless environment, showing the ways it can shelter, allow to burgeon, and, at the same time, be completely blind to real madness.?It wasn’t easy reading this book, but I’m glad I did."?—David Small, author and illustrator of Stitches, a National Book Award finalist and #1 New York Times bestseller

"Stunning. Horrifying. Beautifully done."?—Alison Bechdel, author and illustrator of Fun Home, a National Book Critics Circle Award finalist

"My Friend Dahmer is a brilliant graphic novel and surely ranks among the very best of the form. Like Alison Bechdel’sFun Home, the book plumbs a dark autobiographical mystery, trying in retrospect to understand actions and motivations to piece together the makings of a tragedy. Like Charles Burns’s Black Hole, it’s a starkly etched portrait of the horror of high school in the 1970s. Comparisons aside, My Friend Dahmer is entirely original, boldly and beautifully drawn, and full of nuance and complexity and even a strange tenderness. Out of the sordid and grotesque details of Dahmer’s life, Derf has fashioned a moving and complex literary work of art."?—Dan Chaon, award-winning author of Among the Missing and You Remind Me of Me

"Just when you think you know all there is to know about Jeffrey Dahmer— one of the most notorious criminals of the past century—along comes My Friend Dahmer, which adds significantly to our understanding of this rare form of psychopathology. The graphic novel format helps the reader appreciate the adolescent mind-set of Dahmer’s high school classmates. Although none of those who grew up with Dahmer expected to hear what they learned on July 22, 1991, when he was caught, no one was really surprised, either.?This unique book allows the reader to listen in on the fascinating reminiscences of those who watched the developing mind of a future serial killer."?—Louis B. Schlesinger, PhD, Professor of Forensic Psychology, John Jay College of Criminal Justice

"It’d be so easy to pigeonhole and think that the reason you can’t stop reading My Friend Dahmer is because it offers a voyeuristic peek inside the monster. And it does. But as it turns its self-aware eye on the boy who doesn’t belong, the real magic trick is how equally hateful and sad you feel for the monster himself. This one’s still haunting me."?—Brad Meltzer, author of Identity Crisis and The Inner Circle, a #1 New York Times bestseller??

"As someone who walked the halls of Revere High School with both Backderf and Dahmer and was there from the beginning, I am astounded by the accuracy and truthfulness of this portrait. I know of no other work that so clearly shows the teenage days of an American monster, long before the rest of the world heard of him. Mesmerizing."?—Mike Kukral, PhD, Revere High School class of 1978, Professor of Geography, Rose-Hulman Institute of Technology, author of Prague 1989: Theater of Revolution

"If you want to read a heavy story about a disturbing teenager, My Friend Dahmer will certainly quench your dark little desires. But this book is about a lot of other things that matter much, much more: the institutionalized weirdness of the suburban seventies, what it means to be friends with someone you don’t really like, a cogent explanation as to why terrible things happen, and a means for feeling sympathy toward those who don’t seem to deserve it."?—Chuck Klosterman, author of Sex, Drugs, and Cocoa Puffs: A Low Culture Manifesto?and The Visible Man

"A solid job. Putrid serial killer Jeffrey Dahmer’s origins are explored in this fine book. Dig it—it’ll hang you out to dry."?—James Ellroy, author of My Dark Places and L.A. Confidential

  • Sales Rank: #26111 in Books
  • Published on: 2012-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .88" w x 6.00" l, 1.29 pounds
  • Binding: Paperback
  • 224 pages

About the Author

Derf Backderf has been nominated for two Eisner Awards and has received a host of honors, including the prestigious Robert F. Kennedy Journalism Award for political cartooning. His weekly comic strip, "The City," has appeared in more than 100 newspapers over the past 22 years. Backderf lives in Cleveland, Ohio.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Not without flaws, but it's a reading experience you'll never forget.
By Channyn Holvey-Bates
This graphic novel certainly took me on an emotional roller coaster, which wasn't terribly shocking considering the fact that Dahmer himself and the events of his life take you on one as well. Parts of it were just riveting, others oppressively sad. Some things I liked, others not so much, particularly the parts that actually had very little to do with Dahmer. Despite its flaws, I planned on giving this a better review, but unfortunately something at the very end of the book kept me from doing so, and while the majority of my issues is with Backderf's perspective and opinions on JD as a person and not with the book itself, for me, his opinions tainted his storytelling and ought to have been omitted.

I'll start with the positives, as there are some. It's well written and a decent length. The artwork isn't the best ever but for this story it works, particularly in the drawings of Dahmer alone driving and drinking, in the woods, and in his room. The loneliness and depression that plagued Jeff his entire life was almost insidious in nature, as if something sinister latched onto him and exploited his weaknesses, and somehow Backderf really succeeds in capturing this visually in those specific moments of the book, and has a much stronger and more lasting impact than much of the written dialogue, some of which seemed pretty irrelevant to me. It only makes sense that Backderf includes some of his own individual experiences growing up, but I sort of felt they just weren't necessary. Perhaps he wanted to emphasize the stark contrast between his young life and Dahmer's, but those parts were of least interest to me.

It should certainly be noted that Backderf is EXTREMELY bold for referring to himself as Dahmer's friend, which he states frequently. He refers to some of the other oddball social outcasts as Jeffrey's "friends", which I felt was almost implying that Backderf considered himself a better friend to Jeff than them. If his and his friends' treatment of JD constitutes friendship, then I have never had any friends and nor would I want any. Some of the writing comes off as a bit pretentious and made me wonder if Backderf was merely exploiting the fact that he knew Jeff for his own personal gain, but much of that I would've been willing to overlook.

My problem lies toward the end of the book, in 20 pages of sources and information on Dahmer's life. Some of this seemed kind of bizarre to me anyway, that he would include something like this. But all of it was fine until he decides to include some of his own personal views on Dahmer, with him specifically stating that "...the only tragedy is that Dahmer didn't have the courage to put a gun to his head and end it". Obviously spoken by someone who has clearly never had suicide touch his life in any way, how fortunate for him. I lost a friend to suicide several years ago, and when something as devastating as suicide leaves some kind of stamp on your life, words like Backderf's really sting. I don't care who someone is, what crimes they've committed, and how grotesque and ghastly their crimes may be (and in this case they certainly were) - saying that about anyone is WRONG. Putting a gun to your head is neither courageous nor is it cowardly, it is what it is and it's terrible, and no one should die that way. Most people would probably say this is such an inconsequential part of the book, but I couldn't help but be bothered by it and it shouldn't have been included anyway.

It's good for a one-time read, and it'll have this surreal effect on you after you read it that just kind of lingers for a while. Some of it was very strange for me because I was raised in Akron and the places Backderf included were all too familiar to me - Summit Mall, the old Polsky's department store (the one downtown is now part of the university), and the house itself has an unsettling heaviness when you drive past it. Overall it's a great graphic novel that's worth reading. If you're like me and you're more interested in the psychology of Dahmer and Jeff as a person, I'd highly recommend The Shrine of Jeffrey Dahmer by Brian Masters.

6 of 6 people found the following review helpful.
Be prepared to start all over again when you finish it
By L. Robinson
I remember reading a page on the net several years ago, which was a cartoon detailing a fishing trip with Jeffrey Dahmer and a friend when they were teenagers. On this trip, young Jeff caught a sunfish and, instead of throwing it back as his friend asked, he proceeded to chop it to death with a pocket knife.

I have always remembered this, but have never found the page again.

Just this past Sunday I found out it was part of an actual book called My Friend Dahmer, written by Derf Backderf. So I checked out the Amazon Look Inside bits, and was interested enough to get a copy. It arrived Monday, and I've been through it twice since then.

It's not so much the drawing style, which is basically R Crumb, but the haunting story it tells of Dahmer before he became a serial killer, when he was a child and something might have been done for him, if the adults around him had only looked up from their own self-absorption and seen there was something terribly terribly wrong. Backderf makes no bones about his sympathy (pity, really) for Dahmer ending when Dahmer committed his first murder; however, he also draws an unflinching picture of Dahmer's loneliness, his isolation from others and from his family, and his (Backderf's) own participation in making Dahmer feel less than human.

I'm a contemporary of the kids depicted in this book -- I graduated high school in 1975, they graduated in 1978. I was an outcast, and was bullied about as badly as Dahmer. I was pretty much ignored by my parents and the teachers. But why didn't I become a serial killer? Why am I reasonably well adjusted, and have been a contributing member of society for lo, these 40 some odd years since graduation? What makes one person become an average wife/mom/worker bee, and one person the worst serial killer in recent history?

I think those are all questions that keep me turning back to this book, and that make me recommend it to all y'all out there. There are no graphic depictions of murder, death or gore -- a couple of illustrations of roadkill and one incident which shows that Dahmer, even in his descent into madness, still retained a core of humanity and kindness many "normal" people don't have. At least until he finally crossed the line and became a murderer.

Well worth the money, well worth the read.

3 of 3 people found the following review helpful.
Poorly Imagined
By L. Xue
A fun graphic novel, but not a particularly revealing portrayal of Jeffrey Dalmer. I expected more from the rave reviews this book received, but what emerges for me at the end of reading this book is a cliche:

1. a group of boys befriend a school doof.
2. Their bond is in parts sympathy and in other parts a shared complicity in the doof's amusing/humiliating/weird behavior.
3. Until, they realize he's more than a little weird; they boot him; their lives diverge, and years later...
4. Dahmer

The real point of interest here is that the weird friend did turn out to be a serial killer. That **should have been** the focus of this book. What's it like to be just one of the billions of people on earth who's had a weird, out of it friend, and then one day wake up and have that friend be a PSYCHO KILLER? What were these guys doing with their lives when they found out? What did they tell their wives? What did they fantasize about their high school selves? What did they discover about themselves? Friendship, even the most vapid, ambivalent ones are based on reciprocity and commonality. What did these normal, dorky dudes have in common with Jeffrey Dahmer after all?

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Minggu, 20 Juli 2014

[U730.Ebook] Free PDF Western Heritage, The, Volume 1 (11th Edition), by Donald M. Kagan, Steven Ozment, Frank M. Turner, Alison M Frank

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The text integrates social, cultural, and political history, and it provides a flexible presentation to accommodate different teaching and learning approaches.

 

The 11th edition is tied closely to MyHistoryLab, with icons connecting the main narrative to an array of MyHistoryLab resources, including documents, video segments, and interactive maps. The authors welcome Alison Frank, professor of history at Harvard University, to their team for this edition.

 

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This program will provide a better teaching and learning experience–for you and your students. Here’s how:

  • Personalize Learning — The new MyHistoryLab delivers proven results in helping students succeed, provides engaging experiences that personalize learning, and comes from a trusted partner with educational expertise and a deep commitment to helping students and instructors achieve their goals.
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  • Support Instructors — Instructor’s eText, MyHistoryLab, Instructor’s Resource Manual, Test Item File, MyTest, PowerPoint presentations, and Class Preparation are available. 

For the combined volume of this text, search ISBN-10: 0205393926

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Note: MyHistoryLab does not come automatically packaged with this text. To purchase MyHistoryLab, please visit: www.myhistorylab.com or you can purchase a ValuePack of the text + MyHistorylab (at no additional cost): ValuePack ISBN-10: 0205896227 / ValuePack ISBN-13: 9780205896226.

 

  • Sales Rank: #188308 in Books
  • Brand: Pearson
  • Published on: 2012-10-18
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.70" h x .90" w x 8.90" l, .0 pounds
  • Binding: Paperback
  • 504 pages
Features
  • Used Book in Good Condition

Review

“The book's greatest strength is how succinct it is. It covers all of the major topics in a clean and organized manner.”

          -Derrick Griffey, Gadsden State Community College

 

“Accessible and to the point without diluting history or talking down to students.”

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“The most comprehensive treatment...that I know, delivered in a very detailed and intelligent prose, but also with a lot of attractive lively features, such as primary sources, timelines, maps, review questions and so forth. “

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“Students like the book, and easily extract from it what the authors (and the instructors) intend them too.”

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“The selected documents, pictures, maps, and other supplements are wonderful tools for all readers. In short, it is an excellent work for college students.”

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About the Author

DONALD KAGAN is Sterling Professor of History and Classics at Yale University, where he has taught since 1969. He received the A.B. degree in history from Brooklyn College, the M.A. in classics from Brown University, and the Ph.D. in history from Ohio State University. During 1958 to 1959 he studied at the American School of Classical Studies as a Fulbright Scholar. He has received three awards for undergraduate teaching at Cornell and Yale. He is the author of a history of Greek political thought, The Great Dialogue (1965); a four-volume history of the Peloponnesian war, The Origins of the Peloponnesian War (1969); The Archidamian War (1974); The Peace of Nicias and the Sicilian Expedition (1981); The Fall of the Athenian Empire (1987); and a biography of Pericles, Pericles of Athens and the Birth of Democracy (1991); On the Origins of War (1995) and The Peloponnesian War (2003). He is coauthor, with Frederick W. Kagan, of While America Sleeps (2000). With Brian Tierney and L. Pearce Williams, he is the editor of Great Issues in Western Civilization, a collection of readings. He was awarded the Na-tional Humanities Medal for 2002 and was chosen by the National Endowment for the Humani-ties to deliver the Jefferson Lecture in 2004.

 

STEVEN OZMENT is McLean Professor of Ancient and Modern History at Harvard Univer-sity. He has taught Western Civilization at Yale, Stanford, and Harvard. He is the author of eleven books. The Age of Reform, 1250—1550 (1980) won the Schaff Prize and was nominated for the 1981 National Book Award. Five of his books have been selections of the History Book Club: Magdalena and Balthasar: An Intimate Portrait of Life in Sixteenth Century Europe (1986), Three Behaim Boys: Growing Up in Early Modern Germany (1990), Protestants: The Birth of a Revolution (1992), The Burgermeister’s Daughter: Scandal in a Sixteenth Century German Town (1996), and Flesh and Spirit: Private Life in Early Modern Germany (1999). His most recent publications are Ancestors: The Loving Family of Old Europe (2001), A Mighty For-tress: A New History of the German People (2004), and “Why We Study Western Civ,” The Pub-lic Interest, 158 (2005).

 

FRANK M. TURNER is John Hay Whitney Professor of History at Yale University and Direc-tor of the Beinecke Rare Book and Manuscript Library at Yale University, where he served as University Provost from 1988 to 1992. He received his B.A. degree at the College of William and Mary and his Ph.D. from Yale. He has received the Yale College Award for Distinguished Undergraduate Teaching. He has directed a National Endowment for the Humanities Summer Institute. His scholarly research has received the support of fellowships from the National En-dowment for the Humanities and the Guggenheim Foundation and the Woodrow Wilson Center. He is the author of Between Science and Religion: The Reaction to Scientific Naturalism in Late Victorian England (1974), The Greek Heritage in Victorian Britain (1981), which received the British Council Prize of the Conference on British Studies and the Yale Press Governors Award, Contesting Cultural Authority: Essays in Victorian Intellectual Life (1993), and John Henry Newman: The Challenge to Evangelical Religion (2002). He has also contributed numerous arti-cles to journals and has served on the editorial advisory boards of The Journal of Modern His-tory, Isis, and Victorian Studies. He edited The Idea of a University by John Henry Newman (1996), Reflections on the Revolution in France by Edmund Burke (2003), and Apologia Pro Vita Sua and Six Sermons by John Henry Newman (2008). Between 1996 and 2006 he served as a Trustee of Connecticut College and between 2004 and 2008 as a member of the Connecticut Humanities Council. In 2003, Professor Turner was appointed Director of the Beinecke Rare Book and Manuscript Library at Yale University.

 

ALISON FRANK is professor of history at Harvard University. She is interested in transnational approaches to the history of Central and Eastern Europe, particularly the Habsburg Empire and its successor states in the nineteenth and twentieth centuries. Her first book, Oil Empire: Visions of Prosperity in Austrian Galicia (2005), was awarded the Barbara Jelavich Book Prize, the Austrian Cultural Forum Book Prize, and was co-winner of the Polish Studies Association's Orbis Prize in Polish Studies. Her current book project, Invisible Empire: A New Global History of Austria, focuses on the Adriatic port city of Trieste and the Habsburg Monarchy's participation in global commerce in the long nineteenth century. Other interests include the Eastern Alps, the Mediterranean slave trade, and environmental history. She is associate director of the Center for History and Economics.

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  • Sales Rank: #3200300 in Books
  • Published on: 1976-02
  • Original language: English
  • Number of items: 3
  • Binding: Paperback
  • 275 pages

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